Decolonize Your Ears — 4-Week Intensive · Seba Kayan
Waitlist open· Decolonize Your Ears · Next cohort 29.08.2026

Create your own sonic identity

Beyond the defaults

Seba Kayan
Waitlist open · Next cohort 29.08.2026
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A 4-week creative lab for electronic musicians who want to break out of inherited rules and develop a sound that feels unmistakably their own.

Who decided an octave only has 12 equal notes?

Your tools have been teaching you how to hear. Now it's time to decide how you want to listen.

The piano roll didn't invent sound. But it did teach us to hear in one very specific way. And if you've ever felt like your music keeps circling the same familiar patterns, that default might be shaping more than you realize.

The same scales. The same rhythms. The same harmonic movements. The same production decisions everyone else is making.

It's because modern music tools quietly guide you toward a very specific way of hearing — and toward imagining sound through one particular lens.

And what if that lens is only one possibility?

Decolonize Your Ears is a 4-week intensive designed to help electronic musicians and artists expand their listening, question inherited defaults, engage with deeper questions, and build a personal sonic language through hands-on experimentation.

This is not theory alone. You'll work with the Sonic Identity Method™ and the Decolonized Listening Framework—an original creative methodology I've developed through my work as a lecturer at the Academy of Fine Arts Vienna. Together, these frameworks combine practical tools, guided production exercises, and reflective practices to help you expand your musical vocabulary, challenge inherited compositional habits, and develop a sonic identity that is uniquely your own. Throughout the course, you'll also join weekly live sessions and an active group space for feedback, reflection, and support.

What you'll walk away with
  • Become aware of the tuning systems shaping your music—and explore beyond them
  • Explore maqam, just intonation, and alternative tuning systems as creative tools
  • Develop your own tuning systems and expand your sonic vocabulary
  • Leave with an original composition and your own sonic manifesto
Seba Kayan

Seba Kayan

Artist · DJ · Producer · Lecturer

Hi, I'm Seba.

I'm an electronic music producer and lecturer at the Academy of Fine Arts Vienna. Growing up in Austria with a Kurdish background, my work explores diasporic sound, decolonial listening.

Through my own journey of questioning inherited ways of listening, I developed the Sonic Identity Method™ and the Decolonial Listening Framework™ to help artists discover their own sonic identity.

I'm an Austrian Music Award nominee (Best Electronic), and I've presented my work internationally at festivals and venues including Wiener Festwochen, Donaufestival, ImPulsTanz, Visa for Music, and Jupiter Disco in New York.

Trusted By Artists, Students & Curators

Eva Fischer
Eva Fischer
@eva0707
Curator & Festival Director · sound:frame & CIVA Festival
"She not only shifted perspectives, but also showed how much potential lies in a truly open sonic practice."
Mimie Maggale
Mimie Maggale
@mimiemaggale
Curator & Festival Director · Sonic Territories
"The format makes these questions tangible — connecting critical reflection with collective listening and lived sonic experience."
pfizerpizza
pfizerpizza
@pfizerpizza
Artist
"Working with external tuning systems in Ableton became much more approachable through the hands-on examples."
D
Dunja
@akbild
Student, Academy of Fine Arts Vienna
"The course showed me that whether we like or dislike music is often a matter of habit — and that it is also political to perceive 'other' music as foreign."
Chaia
Chaia
@chaiale
Artist
"A softer approach — how to access techniques within the DAW so the electronic sounds could be molded gently around the traditional music I sample."
L
Lisa
@akbild
Student, Academy of Fine Arts Vienna
"Seba made a safe space available to talk about decolonizing. By her experience in the contemporary field, the conversations are about the here and now."

Decolonize Your Ears

Inside this course, you'll explore how tuning, rhythm, technology, and cultural assumptions shape the way you create — then use that knowledge to build your own creative systems.

Your sound starts with how you listen.

faq
Do I need prior music theory knowledge?+
No. The course is designed for producers and artists who are curious but have no prior formal theory background. We build concepts from the ground up, grounded in listening and practice, not notation.
Which DAW do I need, and at what level?+
The course uses Ableton Live. You should be comfortable navigating it — placing clips, routing audio, basic MIDI. Leimma and Apotome are browser-based and free; no prior experience required.
Is it live sessions or self-paced? Will there be recordings?+
The course runs live over 4 weeks — one session every Saturday at 18:00 Vienna time (CEST), on Zoom. Recordings are available to enrolled participants who cannot join live.
What's the time commitment each week?+
Plan for approximately 3–5 hours per week: the live session plus reading, listening, and production work between sessions. Week 4 requires more time for the final composition.
Do I need a background in decolonial theory?+
No. Theoretical texts are introduced with context and reading guides. The goal is not to pass an academic exam — it's to give you frameworks that make your questions about sound more precise. Curiosity is the prerequisite.
I'm not from a non-Western musical background. Can I still join?+
Yes. The course is for anyone interested in decolonial practices and alternative sonic systems. It asks everyone to locate and examine their reference point, whatever it is. Your background doesn't have to be non-Western — it has to be yours.
Next cohort · 29.08.2026

Ready to listen differently?

Seba Kayan
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